What are we to make of the strange abstract patterns – cup marks and cups and rings – pecked into boulders and outcrops in upland areas? Can they be compared with similar designs on specialised monuments like stone circles, cists, and megalithic tombs? In that case, their wider significance can be investigated. Or is a clue provided by the choice of rock for these strange designs? If so, they can be treated as parts of the landscape.
On 26 October 1918, the nation received an unusual gift: Stonehenge. The monument had been bought at auction by Sir Cecil Chubb, who later presented it to the British government. Marking the centenary of this episode, we are exploring one of the newest discoveries from the site: the origins of some of the people whose […]
Over the summer, archaeology students descended on Kilmartin, Argyll, to record the numerous examples of prehistoric rock art found in the Glen. Trained by staff from Edinburgh University and the Scotland’s Rock Art Project (ScRAP) team, and supported by the Kilmartin Museum, the students noted the location, orientation, scale, and various other notable characteristics of each carving, as well as creating 3D models using photogrammetry techniques (pictured above).
The latest exhibition at the British Museum offers an overview of South African art from manuports to Mandela and beyond. Lucia Marchini finds out more. Between 1948 and 1994, when the ruling National Party was enforcing apartheid legislation, the official version of South African history portrayed the country as a terra nullius before European settlement […]